The twenty-eight portraits comprise accounts of, or tributes to, collectors, booksellers, librarians, scholarly editors, publishers, bibliographical scholars, literary and historical scholars, and authors. Figures represented by substantial essays are Fredson Bowers, John Carter, Floyd Dell, Nancy Hale, Harrison Horblit, Vera Lawrence, Ruth Mortimer, and Gordon Ray; among the other people commented on are Harrison Hayford, Mary Hyde, Alfred Kazin, William Matheson, William Scheide, and Carl Woodring.
The “Reviews” section consists of forty-two pieces, mostly book reviews but also including some responses to essays, introductions to anthologies, and retrospective assessments. There are discussions of bibliographical classics by Fredson Bowers, Philip Gaskell, D. F. McKenzie, Paul Needham, Allan Stevenson, and David Vander Meulen, as well as of titles by other major scholars, such as Roger Chartier, Robert Darnton, Anthony Grafton, and David McKitterick. Also treated are books by William A. Jackson, Larry McMurtry, and Nicholson Baker, plus several bibliographies, bibliographical reference works, books on book collecting, and scholarly editions. Other items involve bookcloth, Blake’s printmaking, textual theory, book preservation, and the antiquarian book trade.
Cite the author of the essay, the name of the essay, the name of the collection, Works Cited: A Quick Guide - The MLA Style Center An Essay in a Book Collection.
How to Cite an Anthology in MLA Format - WorksCited4U At Workscited4u, you can learn how to cite an anthology in MLA format for your works cited.
Proper Mla Format Works Cited - Essay From A Collection Proper Mla Format Works Cited - Essay From A Collection For additional information or for instructions on proper citing of sources Modern Language Association of MLA Citation One Selection from an Anthology or Collection MLA Citation One Selection from an Anthology or Collection MLA Handbook for Writers of Research Papers, 7th edition Short Story in a Collection Purdue OWL: MLA Formatting and Style Guide Where can I learn more about writing in MLA?
Two of them deal with individual periodicals ( and the Bibliographical Society’s ) and two with the development of descriptive bibliographies (of American authors and eighteenth-century books). Other essays cover the writing of publishing history, the theorizing about the scientific nature of bibliography, the recording of copyrighted books, the indexing of bibliographical periodicals, and the preserving of booksellers’ catalogues. One takes up the production of a major reference work (the ESTC), and another the role of a single locality (Indianapolis) in book history. The Grolier Club is the subject of two contrasting styles of history: a journalistic account of current events (the Club’s centenary festivities) and a retrospective investigation of a bibliographical activity (the mounting of exhibitions as practiced at the Club). The fiftieth anniversary of the Bibliographical Society of the University of Virginia also receives journalistic treatment. Textual criticism and scholarly editing have a place here because they are so intimately tied to the study of the physical objects that transmit texts. The two essays on textual matters explore, first, the traditions of scholarly editing and, second, how those traditions have been applied or misapplied to visual and aural works. A final essay, serving as an epilogue to the volume, discusses bibliographical history as a field, defining it, surveying previous work to build on, and suggesting the value of producing more such work.
This illustrated book is intended as a compact introduction to the historical study of book-jackets (or dust-jackets), which—though removable from the books they cover—are essential parts of those books as published. It is a history both of publishers’ detachable book coverings (primarily British and American) and of the attention they have received from scholars, dealers, collectors, and librarians. It also surveys their use by publishers (as protective devices and advertising media) and their usefulness to scholars of literature, art, and book history (as sources for biography, bibliography, cultural analysis, and the development of graphic design). In effect, the book constitutes a plea for the preservation and cataloguing of this significant class of material, so that it will be available for future examination.
This volume brings together a selection of the biographical sketches and reviews that G. Thomas Tanselle has written since 1959. These two genres of writing focus on individuals; taken together they show how a biographical approach can serve to characterize a whole field–in this case, the world of books and bibliographical and textual scholarship. Because the pieces gathered here deal with major figures and landmark works, along with representative (if less famous) ones, covering the wide spectrum of bibliography, the collection provides a picture of what was going on in the scholarly book world of the past half-century.
G. Thomas Tanselle, former vice president of the John Simon Guggenheim Memorial Foundation and adjunct professor of English at Columbia University, is president of the Bibliographical Society of the University of Virginia and co-editor of the Northwestern-Newberry Edition of the writings of Herman Melville. He has previously served as president of the Bibliographical Society of America, the Grolier Club, and the Society for Textual Scholarship. His collection of American imprints is in the Beinecke Library at Yale, where his assemblage of nineteenth-century book-jackets will soon be placed as well.
I propose to limit my account of the Art Deco book in France to the 1920s, or at least to the years 1919 to 1930. This decade was its heyday, the years which saw the appearance of most of the best work of its representative masters. Moreover, the period saw the reemergence of the livre d’art, as the fine illustrated book for collectors was then called, on a quite unprecedented scale. This crescendo of production led to notable achievements as well as deplorable follies and concluded with a catastrophic debacle. I shall thus be dealing with a self-contained episode in the history of book collecting, an episode which embodies some of the elements of high drama.
The Purdue OWL maintains an extensive resource if you want to cite a poem that is listed in a collection of Collection Mla citation essay Eduhelp dissertation help reference philosophy essay paper.
Exemplification essay on data security and privacy Essay Collections | Modern Language Association Founded in 1883 by teachers and scholars, the Modern Language Association (MLA) promotes the study and teaching of language and literature.