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David Foster Wallace David Foster Wallace was an American author

The exhibition commemorates the Ransom Center's tireless hunt for archives that will capture the imagination, invigorate scholarly research, and deepen our understanding of culture. Highlighting major acquisitions of the past decade, the exhibition demonstrates how the Center builds a collection of interrelated archives that strengthen and give context to one another. The exhibition showcases materials from both major and lesser-known figures, from writers David Mamet, David Foster Wallace, and Don DeLillo to Brian Moore and Jayne Anne Phillips, from journalists Woodward and Bernstein to acting teacher Stella Adler. The exhibition explains how archives come to the Ransom Center and how they contribute to our cultural history.

is David Foster Wallace’s posthumous novel, first published in 2011 and republished in paperback recently with four additional chapters. It comprises of twelve complete chapters that were left on Foster Wallace’s writing desk, along with other drafts and notes. It is about a group of people who work at the IRS in Peoria, Illinois, in 1985. In his introduction, the editor Michael Pietsch, admits that is not the novel that Foster Wallace would have published had be still been alive, but it’s all that we have. Nevertheless, had Foster Wallace finished the novel it would still be boring.

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Wallace was encouraged and pushed by his parents. “This was the kind of family where the mother would bring home the Encyclopædia Britannica for the family to read through,” the novelist Mark Costello, who roomed with Wallace at Amherst, says. When Wallace was twelve, he was one of two winners of a local poetry contest. “Did you know that rats breed there? / That garbage is their favorite lair,” David wrote of a polluted creek nearby. He used the fifty-dollar prize to help pay for tennis camp. He was an awkward child but competitive, and he became a very good tennis player, ranked in the junior Midwest division. One summer, he taught children in the Urbana Parks program. The penalty for botching shots was that Wallace would recount chapters from his life. They were all made up.

Perfectionism has always been one of my oldest and most lethal struggles—a competition not with anyone else but with myself. I see this with Federer, of course, and I see it with David Foster Wallace.

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n 1990, David Foster Wallace turned a wary eye upon the relationship between the literary fiction and television of his day, in an essay called “.” It turned out to be a manifesto for Wallace, a sketch of negative space around the enormously influential literature he would eventually write. Here is , after Wallace’s suicide:

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Letter from Jim Harrison to David Foster Wallace, dated late July 2006. The letter was tucked inside a copy of Jim Harrison's book .
Image courtesy of the Harry Ransom Center

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David Foster Wallace - Wikipedia

David Foster Wallace (February 21, ..

Bound copy of "Corrections of Typos/Errors for Paperback Printing of " from David Foster Wallace to Nona Krug and Michael Pietsch. On page 30, Wallace corrects the age of one of the characters in the book.
Image courtesy of the Harry Ransom Center

25 Great Articles and Essays by David Foster Wallace

Letter and notes from editor Michael Pietsch to David Foster Wallace regarding draft of , dated Dec. 22, 1994.
Image courtesy of the Harry Ransom Center

25 Great Articles and Essays by David Foster Wallace ..

In the notes, David Foster Wallace remarks that “priming” is the word that the IRS uses to make its rote examiners able to cope with extreme boredom. is a primer, it primes us to resist the homogeneity of the present, our constant quest for consumption and satisfaction, to immerse ourselves in boredom, and so become more interesting.

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"Viking Poem," written by David Foster Wallace when he was a child. Early use of his signature as "David Foster Wallace."
Image courtesy of the Harry Ransom Center

On Irony, David Foster Wallace Is Obsolete | B&G

It’s hard to write a review of and not mention sadness at Foster Wallace’s death. It is a book rich with ideas – many other writers would feel privileged to come up with just one of his insights. It is a book worth reading whether you’re a Foster Wallace fan or not, but there is an inevitable feeling of , that is difficult to escape.

On Irony, David Foster Wallace Wasn’t Wrong — but He Is Obsolete

Document for David Foster Wallace's class entitled "English 183A Your Liberal-Arts $ at Work" in which he points out common grammatical errors.
Image courtesy of the Harry Ransom Center

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The cover, inside cover, and various annotated pages from David Foster Wallace's teaching copy of James Ellroy's .
Image courtesy of the Harry Ransom Center

The aim wasn’t necessarily to “channel” David Foster Wallace, ..

The cover, inside cover, and various annotated pages from David Foster Wallace's teaching copy of Stephen King's .
Image courtesy of the Harry Ransom Center

Foster Wallace’s 1993 essay “E Unibus Plurim: Television and U.S ..

Nel 1996, poco dopo la pubblicazione del rivoluzionario romanzo "Infinite Jest", l'acclamato autore David Foster Wallace (interpretato da Jason Segel), concede un'intervista di cinque giorni al giornalista David Lipsky (Jesse Eisenberg), inviato dalla rivista Rolling Stone. Con il passare dei giorni, tra reporter e intervistato si crea un esiguo quanto significativo rapporto.

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