In recent years the Statue of Liberty has continued to be a major tourist destination, despite security and structural issues that have limited trips to what is now Liberty Island and exploration of the monument itself. For Liberty’s 1986 centennial, a huge fund-raising drive, headed by major corporations, collected some $230 million to refurbish the statue and nearby Ellis Island, where, after 1892, newly arriving immigrants were processed in Liberty’s shadow.
As President Cleveland spoke, women’s suffrage advocates protested the nearly all-male ceremony for the world’s largest female figure. That year, anarchist and birth control proponent Emma Goldman admired the Statue of Liberty as a symbol of freedom as she arrived in New York from Lithuania. In 1919 she would view the “Mother of Exiles” a final time as she was deported to the Soviet Union during a Red Scare.
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Meanwhile, the statue’s rich symbolism continues to inspire humor and protest: advocacy of open immigration and celebration of the republican ideals of liberty that infused both the American Revolution and the French Revolution. In 1989 a 30-foot-high styrofoam figure modeled on the Statue of Liberty was created by Tiananmen Square pro-democracy protesters. It stood for five days before it was crushed by a Chinese government tank.
Do not forget that the business of the essay is to make a point. In his essay, Orwell succeeds in portraying the horrors of an imperialist state, showing how the relationship between the oppressed Burmese and the British oppressor is dehumanizing to both. When writing a narrative, it is easy to get caught up in the telling of the story and forget that, eventually, our reader is going to ask So What? and there had better be an answer.
Let nouns and verbs do the work of description for you. With nouns, your readers will see; with verbs, they will feel. In the following paragraph, taken from George Orwell's famous anti-imperialist essay, "Shooting an Elephant," see how the act of shooting the elephant delivers immense emotional impact. What adjectives would you expect to find in a paragraph about an elephant? big? grey? loud? enormous? Do you find them here? Watch the verbs, instead. Notice, too, another truth about description: when time is fleeting, slow down the prose. See how long the few seconds of the shooting can take in this paragraph. You can read the entire text of George Orwell's story by clicking , and you can read additional essays by this famous author of and at