In late 1949, Kim Il Sung called on writers and artists to be “warriors who educate the people and defend the republic” and most importantly “portray the heroic struggle of the working people.” Pyongyang journalist Han Chaedok and novelist Han Sorya helped create a cult of personality surrounding Kim, modeled after Stalin and Mao.
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The mass-based South Korean Labor Party (SKLP), headed by Pak Hon-Yong, a veteran of anti-Japanese protest with communist ties, led strikes and carried out acts of industrial sabotage. Rhee responded by building up police and security forces and, with assistance from the American Military Government (AMG), attempting to eliminate all political opposition, which he labeled communist-backed. Thus, the earlier antagonism between rebels and collaborators during Japanese rule took on the dimensions of both a partisan struggle within South Korea and a struggle between North and South.
In other words, Hamlet is just like us. Sure, he's got bigger problems. (And ghosts.) But his mysterious inner life, his roller coaster of emotions, his struggle to figure out what to do with his life, his conflicted feelings about his parents—this is the stuff that every coming-of-age novel (and movie) is made of.