This further intervention by Juno and Venus reveal that the Epic poem is much more about their argument than Aeneas himself. The arguments between the gods in the Aeneid seem to take up most of the plot. Since it is them who are the driving force of the poem. Rather than the Protagonist, Aeneas, who seems to be strung along by what the gods are doing and not taking the primary role in the Aeneid. Juno and Venus, especially in the first half of the poem are involved more than the main character himself.
On the Mediterranean Sea, Aeneas and his fellow Trojans flee from their home city of Poem Summary - CliffsNotes Poem Summary; About The Aeneid; Character List; Summary and Analysis; Book I; Book II; Book III; Book IV; Full Glossary for The Aeneid; Essay Questions; Practice aeneid Essay - 550 Words - StudyMode Aeneid Exam Friday Dec.
Venus inspires another Divine Intervention that has life altering effect by causing Dido, the Queen of Carthage, to fall in love with her son Aeneas. So that he would be welcomed, without having to wage a war against Carthage. Then Juno arranges for the consummation of the queen’s love so that Aeneas would be held in Carthage for good. Therefore unable to reach Italy, found Rome and destroy Carthage. This begin during one day when Dido, Aeneas and her court are out hunting, Juno brings a storm down upon them, sending them scattering for shelter, and arranges for Aeneas and Dido to end up in the same cave by themselves. Dido having been inflamed with love by Cupid’s arrow makes love to Aeneas. During this whole conflict, it is interesting to note that Venus is the goddess of love, and Juno the goddess of marriage. Their fighting could simply imply that these two things do not necessarily mix well. But once Juno realises that he is destined to be the founder of Rome she attempts to stop him by burning his fleet. Juno sends her messenger Iris down to the beach where the women are watching the men play games by the ships. Iris then incites the women to set fire to the ships so that they will be forces to build their new city in Sicily. The men try to save the ships but are unable to put out the raging flames. Aeneas then prays to Jupiter to save his fleet and suddenly it begins to rain and the flames are put out (5.680ff). This shows the status of the mortal who has to pray to the God for his destiny in which he has no choice. Venus is worried for them; fearing more tricks from Juno, she pleads to Neptune to let Aeneas reach Italy in safety(5.746-78). Neptune holds a grudge against the Trojans, but consents to have only on e of them dies on the voyage, as a sort of sacrifice for the others. It also shows how much Venus, cares for her son, because he will the change the future of Rome, and be renowned, achieving great status which was vital to a hero, since they were not mortals for their own pleasure, just because Neptune holds a grudge against the Trojans, Palinurus has to be killed without knowing why and by who. He has not committed Hubris, offended the gods in anyway, but because he has no status they are able to dispose of mortals with ease.
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Once Aeneas leaves Libya, he finally arrives in Italy and we find out Juno , however, still has not satisfied her anger against the Trojans; unable to prevent them from reaching their promised land, she vows to at leas delay the founding of their city and cause them further pain. When Aeneas and his captains finally break their curse by eating their ‘tables’ on the beach, Virgil shows that he has some good humour about the way Trojans have been abused by the fates ever since the fall of troy. Juno, on the other hand, now puts herself squarely against the fates; for the first rim she openly admits that she cannot win, and yet this does not change her determination to make Aeneas’ life miserable in the least. She says; ‘I cannot keep him form the Latin Kingdoms: / so be it, as the dates have fixed. But I can still hold off / that moment and delay these great events,/ can still strike down the nations of both kings’ (VII. 313-16)
Achilles has numerous enemies because of the continuous acts of bravery that he displays. This makes his endeavor to be less successful because he creates several elements that work against him. The divisions on his spear are representative of the confusions that govern his character. He seems to want all powers that he cannot even control. The greed for this power is negative in the development of both his character and duties. He fails in being positively exceptional in his behavior. Instead, his numerous enemies derail his focus in assisting his society. This means that he fails, and no one wishes to have such pride as the one he displays in the epic. Aeneas has a desirable future because his deeds seem to be acceptable. The gods also seem to be helping this hero because of the levels of allegiance that he displays to them.
Aeneas displays dissimilar traits from Achilles because of his intense submissive acts to the gods. Several excuses could prevent this hero not to obey the gods in their entire instructions. He could still undertake all his responsibilities without compromising his happiness. For example, he wishes to spend a significant part of his life with Dido, but cannot do that. This is because he believes that the gods matter more than his happiness. This does suggest that it would be acceptable to disobey, but compromise certain matters that are less significant.
Aeneas gets his inspiration for his actions from a different glorification. It is always his hope that there is sufficient glorification for the roman gods. He benefits from this glorification of the gods because they guide him when he is lost. For example, when Aeneas gets lost and does not know where to go, the gods show him the direction out of the Mediterranean. Other gods, for example, Jupiter make significant interventions in his life. Aeneas builds the carthage with Dido hoping that he continues doing this, but Jupiter reminds him of his duties. Unlike the other hero (Achilles), he does not conflict any of the gods. He appreciates that he must please the gods, and leaves Dido. A significant lesson from his heroism is the fact that he would be selfish in everything he did.
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Achilles is the epic hero in the Iliad while Aeneas plays the epic hero in the Aeneid. Achilles ensures that there is sufficient personal glory for him. He is selfish in most of his endeavors because the war is not among his priorities. The creator of this epic seems to suggest that it is wrong to display such intensities of selfishness. Throughout the epic, there seems to be a plea against selfishness or disobedience of the existing laws. The authors thought, to imply that the hero has such traits are proof of the message that he wishes to pass even to modern readers.
A significant difference in the creation of these two heroes in the epics is the times in which they undertake their respective responsibilities. For example, while the Aeneid presents the escape strategies from the Trojan wars. This suggests that the hero in the Aeneid helps his society in establishing the strategies. The Iliad describes the occurrences of the last year of the same Trojan War. The epic hero in the Iliad seems to clean up the impacts of the war in his society because this is the end of the war. The creator of Aeneas took a longer time in the creation of this narration than the time taken by the creator of the Iliad.
The creation of epics depends on the impact of the heroes to their respective societies. These primary heroes display such similar characters as their respective abilities to guide their societies. Differences on the primary heroes include their diverse in the approach of performing their required tasks in the narration. The two epics present heroes who differ in the following ways. First, the Aeneid is literary epic while the Iliad is oral. This suggests that the creation of the epic hero in the Aeneid was largely from traditional aspects of that society. Such aspects include the necessity to create a hero who would in turn deliver his society from certain curses from the gods.