John Steinbeck’s work is characterized by symbolism and allegory, which can be seen in his novels The Pearl, The Grapes of Wrath, and his short story “Flight.” In his short story, "Flight," John Steinbeck uses many examples of symbolism, which is one way you can characterize John Steinbecks’ work....
This paper primarily focuses on what life was like for farmers during the time of the Depression, as portrayed in John Steinbeck's The Grapes of Wrath, and tells what the government did to end the Depression....
F, C R, "B F: S The Short Reign of Pippin IV," in Beyond Boundaries: Rereading John Steinbeck, ed. Susan Shillinglaw and Kevin Hearle (Tuscaloosa: The University of Alabama Press, 2002), 162-170.
These criticisms are minor and should not detract from this book's very real virtues. The Critical Companion is intended primarily to whet the appetite of those who know little or nothing about Steinbeck—perhaps a reader curious about a particular writing, a student looking for a place to begin his or her research, or a high-school teacher seeking help when preparing to teach a Steinbeck text. This book is admirably suited for such readers. It packs a great deal of information into a relatively small space. It should be very attractive, and rightly so, to high school and college [End Page 145] libraries. And even Steinbeck aficionados will find unexpected pleasures in idly leafing through the pages. I never knew that The Smoker's Companion paid Steinbeck his first royalties—a princely $7 for his short story, "The Gifts of Iban." (And yes, "The Gifts of Iban" gets its own entry). I had forgotten or never knew that Steinbeck sent his Pulitzer Prize check—in the amount of $1000, by the way—to his friend Ritchie Lovejoy, who was working on a novel at the time. I suspect that my own copy will become increasingly dog-eared over time—Quick now, do you recall who played Johnny (that's Johnny, not Juan) Chicoy in the eminently forgettable 1957 film of The Wayward Bus?
When John Steinbeck's short story "The Chrysanthemums" first appeared in the October 1937 edition of (Osborne 479), Franklin D. Roosevelt had just been reelected president. The country was recovering from the Great Depression, unions were developing, and child labor in manufacturing was terminated (Jones 805-6). The first female cabinet member in American history, Frances Perkins, was appointed the Secretary of Labor (Jones 802). She was one of the few women in her time to gain equality in a male-dominated society. For most women, liberation was a bitter fight usually ending in defeat. In "The Chrysanthemums," this struggle for equality is portrayed through Steinbeck's character Elisa Allen. According to Stanley Renner, "The Chrysanthemums" shows "a strong, capable woman kept from personal, social, and sexual fulfillment by the prevailing conception of a woman's role in a world dominated by men" (306). Elisa's appearance, actions, and speech depict the frustration women felt in Steinbeck's masculine world of the 1930's. "Steinbeck's world," observes Charles A. Sweet, Jr., "is a man's world, a world that frustrates even minor league women's liberationists" (214).
In the classic novel The Grapes of Wrath, written by John Steinbeck, you can follow the Joad family in the pursuit to their dreams and the difficulties they faced and overcame.
However, there are also some other representatives who prefer to be objective as a writer, and from my perspective, John Steinbeck should be one of them.
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Check out our thorough summary and analysis of this literary masterpiece Get an answer for 'What is Curley's wife's dream in rich vs poor essays Of Mice and Men by John Steinbeck?
Whenever someone reads one of John Steinbeck’s works they are in immersed in the scene he is describing, he makes you feel as if you are right there experiencing everything there first hand.
The Pearl, by John Steinbeck and The Secret River, by Kate Grenville both explore issues surrounding racism and classism. However, whilst The Pearl places a heavy emphasis on classism due to racism, The Secret River discusses racism and the...
The title is accurate—this is a guide both to Steinbeck the man and Steinbeck the author. The book is divided into four parts. It begins with a detailed biography of Steinbeck's life and development as a writer that provides a useful context to his writings. The second part, which makes up over half of the volume, is entitled simply "Works A-Z." There are entries for both Steinbeck's "major" and "minor" works (the authors' terms, not mine). Minor works receive short summaries; major works, which include most but not all of the novels, are given detailed synopses, summaries of the critical response, and lists of major characters. The entries cover not only Steinbeck's fiction but his nonfiction works such as Travels with Charley in Search of America and his lesser-known essays and occasional pieces. Part three, a bit of a hodgepodge, contains an alphabetical listing of important people, places, and topics in Steinbeck's life and works. Here we find entries on Steinbeck's wives and friends, on significant sites in California and elsewhere (from "Monterey, California" to "Sag Harbor, New York"), but also on topics and [End Page 143] themes in his work such as "communism," "religion," and "social justice." The final part is an appendix that includes a variety of useful materials, including a detailed chronology of Steinbeck's life, a listing of his awards and honors, and bibliographies of his works and important secondary sources.
John Steinbeck is both one of the most accessible of great American authors (who has not read The Pearl or Of Mice and Men in high school?) and one of the most complex and experimental. His works delight ordinary readers yet often challenge and baffle the most academic of scholars. It is a difficult task to try to bridge this gap between the ordinary reader and the scholar, but Jeffrey Schultz and Luchen Li have made a valiant and largely successful effort to do just that in their Critical Companion to John Steinbeck: A Literary Reference to His Life and Work.